Wednesday 23 October 2013

12. Questionnaires + Analysis





This shows that out of the 10 people that completed the survey, 80% of them female, and the others male. This shows that there are lots of programmes that appeal to females and not so many that appeal to the male audience.









This shows that the majority of viewers are in the age range of 18 to 24, this is our primary target audience. The second most is the age group of 45 to 54, closely followed by 25 to 34 and then last 35 to 44. This shows that the majority of viewers are middle aged.










The most of the people watch television moderately often, and very often. There is nobody who doesn't watch it so that shows that everyone watches television.






This shows that most people dont care what there is in an ident, as long as it is entertaining. However, some people want to know upcoming shows, which could be shown via idents.











The current E4 ident as a whole is liked by the majority of the viewers. However, we want everyone to like the ident. To achieve this we could make it more informative by including what programmes are coming up next.










Students mostly watch E4, this shows how our company is suitable for those who like comedic shows and entertainment for ages 16 - 34.





Five of the viewers asked to complete the survey was White British, three were Black British, one was Black Caribbean and 1 was Asian.





With this pie chart I can see that not many people watch E4 at 3pm to 5pm, this means that is a safer time to show the less popular programmes. Most people watch the channel at 9pm to 11pm, this is the best time to put the most popular shows on.






I will use all of this research to help me create my ident, by looking at the results as a collective I can see that the ident should have an overall theme of comedy and appeal to both genders, mainly female. Also, judging by the age range that watch E4 the most, i will make my ident have quite immature comedy, seeing as the age group that watch it the most are 18-24, so they are not quite fully matured yet.

Tuesday 22 October 2013

Music Video Recipe


BTEC MEDIA WORK TASK 6/9/13 BEN DAVIS



70’s Music videos are generally just being filmed while on stage with tacky special effects. There are lots of pan and zoom shots of the lead singer and the other members of the bands. There is lots of duo singing through one microphone.

This is one of David Bowie's music videos. It mainly consists of Bowie singing and others with big hair and flair jeans. The set is just a stage and a dance floor where the audience are dancing to the music.









80's Music videos tend to me a mixture of the singers on stage and a story being told whilst the singer is singing. They began to experiment and started using more special effects than the previous decade. However, there is still the cheesy smile and dancing.

However, in this Michael Jackson music video it tells more of a story than just watching him sing, which was quite revolutionary for the 80's.








90's Music videos became more and more abstract, using different methods of filming and coincidentally making the videos as memorable as the song itself. Most of the 90's music videos had a story behind it. There was alot of new rap appearing in the music industry too, meaning there was a lot of generic rap conventions in the videos. Things like expensive cars, clothing and jewelry, attractive females wearing revealing clothing. This allured the male audience and was one of the main changes to music videos in the 90's.
Screenshot of Gangsta's Paradise, this song does lots of pan shots around the main singer and others in the music video. The lighting in this music video creates a darker atmosphere, which reflects the gangster theme.








In the 2000's there was a lot more story telling involved, for example, Britney Spears Baby One More Time is a very story telling music video. Costume and story-line became a priority in the music industry, as it seemed that the music videos were beginning to make the song more popular. So by giving the song a story-line and adding a video to portray it the sales of each song went up.














In the 2010 decade music videos are a lot more abstract, using different methods of filming for various strange effects. For example, the Katy Perry music video, Roar. The video is filmed from the perspective of the viewer, so it makes the view feel immersed in the experience of the video. Another example of a video being abstract is Naughty Boy song La La La. Lots of the shots are filmed as though they are from one of the characters first person perspective.

















My Recipe

  • I will need to have the lead singer singing in it, this is because for the past 60 years there has always been the singer as the focal point of the video. For example, in the 70's there was singers like Bowie who starred in all of his own music videos. In the 80's Michael Jackson was in his music videos, and so on. This will make the video have a main focus and the audience will have somebody to 'idolise'
  • Needs a narrative to make the video more entertaining, this will make the video have more structure, so it will be easier to film and much more organised and entertaining. Also the story will need to have an abstract story, which will be more entertaining for the audience and get more views and sales.
  • I will need to have an underlying theme that is conveyed throughout the music video, it should be linked to what is being said in the song.
  • Although its going to have a storyline, I will try to make it as abstract as possible, this will make the audience want to know what is going on, and also much more memorable for them, therefore increasing the revenue the music video produces.
  • There will be a large amount of dance within the music video, this is due to the fact that dance has played a huge part in music videos since the very beginning of them.
  • There will be mild sexual referencing, this is something that have been used for the majority of music video history and is there primarily to open up the male audience range, thus increasing the revenue the music video will make.


Monday 21 October 2013

180 Degree Rule and Rule of Thirds Analysis


The 180 Degree Rule is a basic filmmaker guideline on the on-screen positioning of the characters in the scene. There is an imaginary line, called the axis, this is where the actors would stand. By doing this, no matter where the camera is on that arc, the first character will always be frame right of the second character. This is important for the film maker because they can then portray different sides of a story in the same scene. An example of this is Peter Jacksons Lord of the Rings films, where Gollum has a conversation with himself. The use of the 180 degree rule in this scene helps the director show Gollums different characteristics, so when he is playing the good Gollum he faces left, and when he is the bad gollum he faces right.






Rule of Thirds is where there is a 3 x 3 grid over an image. This has 9 equal squares which help to place the certain aspects of the image. For example, in a scene where two characters are speaking, they don't necessarily have to be in the same take as each other. What the film maker would do is film the characters at different times, but have on on the far side of the left grid, and the other on the far side of the right grid. On the right is a landscape shot of a tree. The grid shows how the camera has taken the image and made the tree and the other main parts of the image fit into the 9 squares. The significance of using the Rule of Thirds is really shown when it comes to close ups of someones face. When taking a close up shot of a face, people use the rule of thirds to make sure that the face is proportionate to the shot, and that certain facial features are in the right part of the grid. For example, someones nose would normally be within the centre of the grid, and if that is the case then the shot is most likely centre.

Friday 18 October 2013

2. E4 Style Guide
















Single or Multi-Camera Technique analysis


Ok Go - This Too Shall Pass
In this music video Ok Go used single camera techniques for the whole video. Also, they only needed to have one take to get the whole video, which means that there was next to no editing work to be done on the video, only to add the music over the top. The video is very complex as lots of things are happening in rapid succession, all leading onto a further reaction.



Wu-Tang Clan - Gravel Pit
This music video uses multi-camera techniques to get full effect of the surroundings. There would be a lot of editing involved, this is because it is set in 2,000,000BC so they added things like dinosaurs and other prehistoric aspects. The video is six minutes long, so thats another reason there would be lots of editing. The multi camera techniques benefit this music video because it makes it more dynamic and entertaining.
 










Arctic Monkeys - R U Mine


This music video displays the use of single camera techniques. Only one camera is used thorough the whole video, being passed around the band in the car. This means they only used one take for the entire video, however they had a black and white filter on it, therefore there had to be some editing on the video. The use of single camera techniques is effective here as it shows a dynamic view of the car and is entertaining.





32. History of BBC and Channel 4 Idents


History of BBC



BBC 1 Ident - 1964
1964 - This is the first BBC ident, it consisted a globe rotating on a white background. The caption used to be BBC T.V but they changed it in 1964.
BBC 1 Ident - 1966
1966 - This ident now had a watch strap theme, where the globe was in the middle of a strip, which appeared to be a watch strap. The caption changed to BBC 1
BBC 1 Ident - 1969
1969 - This is the first colour ident that was introduced to BBC. A blue and black mechanical globe rotated, and behind it a curved mirror made up the ident image.
BBC 1 Ident - 1972
1972 - Pretty much the same as the 1969 BBC ident, however, the caption was now italic and rounded. 
BBC 1 Ident - 1978
1978 -  The theme of the globe rotating with a backboard of a 2D map of  remained but the colour scheme changed to yellow and blue, it was added using electronics and the caption was bold.
BBC 1 Ident - 1981
1981 - Yet another colour change was introduced, but the theme stayed the same. Green became yellow, and the font of BBC 1 changed to a double line.
BBC 1 Ident - 1985
1985 - In 1985 the BBC ident changed significantly, calling it COW, which meant, Computer Originated World, it was the first time BBC had abandoned the use of mechanical object for their ident. 
BBC 1 Ident - 1991
1991 - The COW globe was changed to a new on-screen image designed by Lambie-Nairn. The design was a swirling world of shadows and reflections. 
BBC ONE Ident - 1997
1997 - The new style of BBC ONE ident was a hot air balloon which was a globe. It was filmed flying over 10 different British locations.






2002 - This BBC ident is rather revolutionary in terms of the fact that it isnt a globe, but a gymnast doing a set of moves with some silk.




File-BBC_One_circle.jpg

2013 - This is the newest type of ident for BBC one, with a new theme of circles and strange things making them, in this particular example, it is hippos swimming around and then forming a circle.








History of Channel 4 Idents

1999 Idents1999 - This was the start of a new ident era for Channel 4. With the orange background and the signature 4 with the specific font. There were other idents that were the same but with different backgrounds, such as a Red road, Cyan water, Purple trees, Red pulse and Red.



Channel 42002 - This was the signature ident for the 2002 Channel 4 idents. Containing a roaring dinosaur over a green background. The font of the 4 stayed the same as before.






Channel 42008 - This ident comes away from the generic style of ident, focusing more on the animated side of it, with the town of Springfield in the background with the number 4 moulded onto it.




Channel 42012 - This ident is one of the most recent idents. It contains what appears to be a large 4, which mirrors the surrounding skyscrapers that forms from separate pieces coming together over the ident.





By Ben Davis

1. Corporate Identity Theory


8. Typography Work





Font: Bubbletea
Why Chosen: I chose this for kids because it gives an image of childlike writing. Also it looks like bubbles, which link to children.





Font: Olde English
Why Chosen: This fits the history word because it looks medieval in the way the words have flicks, so it is Serif.



Font: Gang Wolfik
Why Chosen: I chose this font for modern because it looks like it would appear in some sort of futuristic computer.

Font: Wedding Nightmares
Why Chosen: Because it is Serif so there are lots of flicks at the end of each letter, which is signature sophistication.


Font: Sketchy
Why Chosen: I chose this because it looks rough and 'sketchy' which is art. It is a serif font and relates to using paint to write, so like an artist would.
Font: Fabrics
Why Chosen: This links to the word fashion because it has what appears to be stitches around the edges of the writing.

Font: Alpha Sports
Why Chosen: Because each letter is a different type of sport.



Font: Alpha Silhouettes
Why Chosen: This is a good comedy font because the images in it are HILARIOUS.




Font: Broadway Lights
Why Chosen: Because drama and acting is linked to broadway. Also the serif design of it makes it look a lot more dramatic.






Font: Most Wasted
Why Chosen: It looks really street and cool, like teenagers, which is very stereotypical but in some cases true.





By Ben Davis